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	Search results for Central    Refine your search Creator 30 () 3 () 1 () 1 () 1 () 1 () 1 () 1 () 1 () 1 () results 21-40 of 87 item(s)  page 2 of 5 : ( <<  1  2  3  4  5  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 21. [Bookplate for Lewis Harcourt] There are several black fillets separating the top and bottom banners from the central and side images present on the bookplate. The sidebars of the bookplate have vines trailing down the die. The central image is an armorial. The image begins with a peacock symbolizing renewal or resurrection standing on top of a coronet on top of a closed helm facing dexter. The helm surmounts a shield leaning from the dexter chief to the sinister base. Both the helm and the shield are surrounded by mantling on either sides. The shield is a gules field with two bars of or. This bookplate belonged to Baron Lewis Harcourt of Nuneham who was an important administrator within the British government during the early decades of the 20th century. 22. [Bookplate for L. Emile Grothé by Aimé Dufesne] Black ink on white paper. Border has white outlines, shaded for a three-dimensional effect and is filled in with thin black lines. The top and bottom sides of the border indent in the middle with squared corners. The left and right sides of the border indent in the middle with rounded corners. The top half of the bookplate has diagonal black lines extending wider from the centre. The top left corner features a person wearing a feathered headdress and a sash holding arrows in their left hand and a bow in their right hand. They are standing on a decorative ledge connected to the border and sitting atop of an elaborate curlicue. The right corner has the same curlicue and ledge and a person in a long coat and striped hat holding a pouch stands atop it. Between the two figures is an open book. The bottom of the top half of the bookplate contains half a round map of the world surrounded by a thick border of the same style as the overall bookplate border. The owner’s motto is written across the map’s border in thin, capitalized, sans-serif font. A rectangular border of the same design sits in the centre of the bookplate. The top of the border features large, captitalized, serif block font. The font is white with a black background and white stripes surrounding that background. On either side of that text are half circle decorations in a vertical stack between two thin white borders. The centre of the rectangle within the borders has a grey background with capitalized, sans-serif block font printed on top. The font is black with a white outline and dark shading. Two shields hang below the rectangle on the left and right side. The shield on the left is argent with sable dots per fess. The top third of the crest is charged with two fleurs-des-lis. The central portion of the crest, featuring sable and argent stripes. is charged with a lion passant guardant. The bottom third of the crest is charged with three maple leaves with connected stems. The shield on the right is per pale consisting of sable and argent stripes and argent with sable dots. The left side is charged with two lions passant that are argent with sable dots. The right side is charged with a lion sejant erect and eight hearts, each of which are sable and argent striped. Between the two crests, hanging from the central rectangular feature, is a checkered black rectangle with white borders on the left, right, and bottom sides. White curlicues extend from the left and right sides. Similar curlicues, leafy decoration, and black strip adorned with small circles extend from the bottom of the rectangle. The background of the bottom half of the bookplate not covered with other decorative features has the same black stripes as the top half. In the bottom left and right corners of the bookplate are four books each, spines facing out. Next to the books on the left is a black inkwell with two feather quills in it. Next to the inkwell is a beehive on a wooden platform surrounded by five bees. On the right of the beehive is an oil lamp with a bright flame burning. Outside the bottom border, inside the indent, the bookplate creator’s name and date of creation is printed in thin, black, sentence-case, serif font. 23. [Bookplate for K. H. Ingalls by Ralph Fletcher Seymour] A portrait bookplate with a multiple black fillet border surrounding the central images used in the bookplate. The bookplate has all 12 images of the zodiac held in small circles surrounding the periphery of the central image. At the top and bottom left and right hand corners of the image are images of vines. Central to the bookplate is the image of a wicker chair held in the bottom left hand corner next to several books sitting on a reading table. The chair is facing a brick fireplace against the far wall above which are the word "BIDE-A-WHILE". In front of the fireplace is a bear skin rug. A highbacked wooden bench with three books on it sits off on the adjacent wall to the left of the image. A similar bench sits to the right of the fireplace. A clock and several other knickknacks sit on the mantelpiece above the fireplace. 24. [Bookplate for John M. Cameron by Soderberg] Image is of a portrait shaped border composed of three black fillets surrounding alternating images, also flowing around the interior border, of thistles alternating between facing upwards and down. On the interior side of the frame of thistles are two more black fillets separating the frame of thistles from the central image of a large thistle and its leaves facing upwards. 25. [Bookplate for John Ker Davis] The main image is framed by a single black fillet and is bordered by two banners, one at the top and one at the bottom. The central image is of a two masted ship sailing towards the right of the picture. There are a number of clouds in the background and rolling waves below the ship. There are two people visible on board the ship, one is holding up a telescope also facing to the right. 26. [Bookplate for John Hurley] The central image is of a man facing to the left wearing 16th century Tudor clothing, shoes and haircut. He is carrying a tray with an inkwell and a feather pen standing upright from it. 27. [Bookplate for Jessie Hunter] A single black fillet surrounds the central image on the bookplate. Two banners sit above and below the central image of a large open book overlays a lighted oil lamp with two wicks on curved arms curling outwards from the central hub of the lamp. The lamp is sitting on the outline of a table. The images may imply that books bring awareness of the unknown. 28. [Bookplate for Jenkins] Black ink on cream paper. The crest features a furry lion passant reguardant standing atop a castle tower. The castle tower is above a crest-wreath. Elaborate, curling, feathery black and white mantling extends from the top of the shield and expands out along the sides. The shield is divided per pale. The left section has a white background with black dots and is charged with a black lion rampant reguardant. The right section of the shield is charged with a bird perched on a tree branch growing out of the ground. There is no background except for the branch and ground that is lighter on top and darker at the bottom. The motto is printed on a curling ribbon below the shield. There is shading on the ends of the ribbon. The motto is printed in capitalized, black, serif font. The bookplate owner’s name is printed in a more stylized, paler, capitalized, black serif font underneath the motto. 29. [Bookplate for James Hazen Hyde] The bookplate central image is of several interwoven banners with flowers and leaves hanging from them in three cascades. The owner was an enormous Francophone who lived around the turn of the 20th century. 30. [Bookplate for J. E. Horvath by Gabriella Krisztimkovich] The bookplate belongs to J. Eugene Horvath who is a famous bibliographer living in Vancouver. The central image is of a Canadian mapleleaf. The left portion of the leaf has a gilt inlaid ceramic plate with a quill pen over it signifying a love of writing. The central portion of the leaf has a set of mountains signifying the Vancouver area with a camera below it signifying a love of photography. The right portion of the leaf has an image of a Hungarian King St. Ladislas The central portion of the leaf has an image of the Buda side of Budapest and shows the central castle and churches lying in relief above the Danube river. This portion of the bookplate indicates the fact that Horvath was born in Hungary and emigrated to Canada. 31. [Bookplate for Ivan Glen Campbell] The central image is a portrait shaped frame with banners along the top and bottom of the frame. Between the banners and contained by the frame is the central image of an open book behind a metal lamp with a black shade shedding light onto the book and everything else in the image. In front of the lamp on the left side is an ink jar and spare nibs and on the right is an ashtray and smouldering cigarette with the smoke drifting upwards and surrounding the lamp and book from above. While the two banners have statements within them the lower one also has four maple leaves, 2 on the right, and 2 on the left. 32. [Bookplate for I. O. Körner and J. E. Horvath by K. M. S.] A central panel with the ownership text is surrounded by mantling that comes out of a vase at the bottom. Flanking the ownership panel there are two figures holding books at each side. Hanging from the mantling on the bottom are a drum and lyre, and surrounding the top are various animals. The top of the bookplate is crowned with a globe. 33. [Bookplate for Henry Torre] In black ink. This bookplate consists of an escutcheon which is slightly askew, being tilted from the central vertical axis of the image. The escutcheon is parted per fess. In dexter chief sable (black), charged with a crescent above and a tower below, a bordure vair. In middle chief, azure (blue), embattled and counter-embattled, argent, with three sable roundlets. Above the partition charged with two stags proper tripping, and below with one stag proper, tripping. In sinister chief, argent, two bars, gules (red), in canton gules, charged with cross Moline, or (gold). In dexter base, barry of six pieces, or and azure, in canton, argent, charged with a chaplet. In middle base, sable (black), lion rampant. In sinister base, argent, sable with three lozenges, gules above, and four below. The rococo vegetative mantling above the escutcheon finishes on either side with a tassel and includes, at its center, a straight wreath charged with a gryphon passant situated atop a peer helmet. Below the escutcheon is a banner containing the originator's Latin motto, with his name printed below. 34. [Bookplate for Harry E. Jones] Shiny texturized black ink is raised off the white paper. An elaborate border surrounds the central image. The border has two thin black lines on the outside and then has a series of repeating leafy floral shapes. The floral design is quite pointed and recurs in square sections all around the border. At each corner the design points out towards the corner. The inside of the border is surrounded by a thick black line. At the top of the border, an unfurled banner that is wider than the border sites atop of it. Text is printed in capitalized, block serif font. Below the ribbon, within the borders, is a picture of two monks looking at a large book with text and illustrations. One monk is standing in shadow, his back illuminated by the sunlight streaming in from a window outside the frame on the right side of the bookplate. At the forefront is a seated monk, also with his back to the sun, who is holding the book open while the other monk points at a section. The monk is sitting in a wooden chair with small cutout designs on the back. The table is also wooden and is covered with other books and a feather quill in an inkwell. In front of the desk, a large book with a decorative cover rests against the table leg. To the left of the book is a plain vase. At the base of the image, atop the lower portion of the border, is another ribbon featuring text printed in black, sentence case, serif font. 35. [Bookplate for Hans Hjordis Hygen by E. B.] The bookplate's central image is done in relief of a house with a walkway and trees of to the sides of the house. The house appears to be a prosperous house with two chimneys and several floors. A mountain with whitcaps sits in the background and several stars are seen above them. 36. [Bookplate for Gerald E. Hart by Edwin Cox & Co.] Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font. 37. [Bookplate for George Kerr] Grey ink on green-grey paper. The bookplate is in the shape of a rectangle with rounded corners and a bulging circle in the center. The top portion of the bookplate features a half circle basic graphic of the sun on the horizon. The design is created using simple lines. Surrounding this image are half circles of various sizes with thick borders on the outside and several thinner inner borders on the inside. The circle shape in the center has a thick border decorated with two thick black lines that are intersected by plain crisscrosses three times each on the left and right-hand sides. There are some decorative shapes at the top of the circle, forming a small point. Below those shapes text is printed in capitalized, block, grey letters. The center of the circle depicts a man in a wig and robe reading a large book. The spine of the book and face of the man are facing the viewer. The background of the image is comprised of thin, black, horizontal lines. The bookplate owner’s name is printed below the image in large, capitalized, block serif grey font. Decorative shapes like the one at the top of the circle extend from the bottom as well, forming a larger point. The base of the bookplate is decorated with various rounded shapes, in both oblong and tear drop shape, filled with thinner black lines. A plain section extends from the bottom left and right corners up to the middle of the bookplate, meeting the text at the base of the central circle. In these sections are printed mottos in smaller, capitalized, sans-serif font. 38. [Bookplate for Geoffrey Davies] The central image is of a white frame holding black rope within it connected to a central black rectangular frame in the centre of the bookplate. The bookplate has been designed to look like a picture. 39. [Bookplate for G. L. L. Davies] The central image is bordered from the outside moving inwards by a black frame surrounding a white frame, surrounding a black frame surrounding a white frame, surrounding a single black fillet containing the central image. The central image is of two leafless trees standing to either side of a view until a series of three hills. In the distance is a black sun rising with black and white rays coming from it towards the top of the image. The entire image is bordered by two banners at the top and bottom which are separated from the main image by a single black fillet. 40. [Bookplate for Frances Wahlstad Cochrane] Central image is of a portrait shaped rectangular frame surrounding a chequered field suggesting a window. Only black and the natural paper color are used. There is an elaborate metal candelabra on the lower left side of the chequered field. The metal of the three candle holders is coiled counter-clockwise down towards the base, and has a roman column base. There are three burning wax candles with white streamers flowing upwards from them mounted on the candelabra. Next to the candelabra are three horizontally stacked books. They are stacked with the bottom and topped books having the spine oriented at an angle towards the right front side of the image. The middle book has the opposite orientation of the spine. select all : clear all : add to favorites results 21-40 of 87 item(s)  page 2 of 5 : ( <<  1  2  3  4  5  >> ) :: previous : next
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